1. 鐢靛獎闄㈢敤鑻辮鎬庝箞璇
銆銆鐢靛獎闄㈡槸涓鴻備紬鏀炬槧鐢靛獎鐨勫満鎵錛岀數褰卞湪浜х敓鍒濇湡錛屾槸鍦ㄥ挅鍟″巺銆佽尪棣嗙瓑鍦烘墍鏀炬槧鐨勩傞偅涔堜綘鐭ラ亾鐢靛獎闄㈢敤鑻辮鎬庝箞璇村悧?涓嬮潰璺熸垜涓璧峰︿範鍏充簬鐢靛獎闄㈢殑鑻辮鐭ヨ瘑鍚с
銆 銆鐢靛獎闄㈣嫳璇璇存硶
銆銆cinema
銆銆movie theater
銆 銆鐢靛獎闄㈢殑鑻辮渚嬪彞銆銆鐖哥埜鍒氬嚭闂錛岄偅鐢峰╁氨璺戝悜鐢靛獎闄銆
銆銆As soon as his father went out, the boy ran to the cinema.
銆銆浠栧伔鍋鋒簻榪涗簡鐢靛獎闄㈣屾病鏈夎浜洪鐫銆
銆銆He stole into the cinema without being caught.
銆銆鐢靛獎闄涓嶈繙錛屼綘鍙浠ヨ蛋鍒伴偅鍘匯
銆銆The cinema is not far, you can get there on foot.
銆銆鎴戝拰濂沖弸鏄鐢靛獎闄㈢殑甯稿銆
銆銆My girlfriend and I are habitual cinema-goers.
銆銆鐢靛獎緇撴潫鍚庯紝浜轟滑浠庣數褰遍櫌銍傛嫢鑰屽嚭銆
銆銆The crowd swarmed out of the cinema after the film ended.
銆銆鐢靛獎闄㈤檮榪戞湁涓涓鐢佃瘽浜銆
銆銆There is a telephone booth near the cinema.
銆銆褰撴垜浠璧拌繘鐢靛獎闄㈡椂錛岀伅鐔勭伃浜嗐
銆銆The light went out just as we entered the cinema.
銆銆鐢靛獎闄㈢殑澶у巺閲屾湁涓灝忓崠閮ㄣ
銆銆There is a snack bar in the lobby of the movie theatre.
銆銆鎴戜滑鍙婃椂榪涗簡鐢靛獎闄錛岃刀涓婄數褰辯殑寮鍦恆
銆銆We entered the theater just in time to see the beginning of the movie.
銆銆褰辮糠浠鍧愬湪榛戞紗婕嗙殑鐢靛獎闄㈤噷鐪嬪緱濡傜棿濡傞唹銆
銆銆The fans sat enthralled in the darkened cinema.
銆銆浣犺佽窡璋佷竴璧峰幓鐢靛獎闄?
銆銆Who're you going to the pictures with?
銆銆榪欏駭鐢靛獎闄浜忕┖50涓囪嫳闀戙
銆銆The theatre is £ 500,000 in the red.
銆銆鐩稿規潵璁詫紝榪欎釜鍥藉跺嚑涔庢病鏈夊嚑瀹剁數褰遍櫌銆
銆銆The country has relatively few cinemas.
銆銆鍦ㄧ數褰遍櫌闂ㄥ彛鍞紲ㄣ
銆銆Tickets are sold at the entrance to the cinema.
銆銆浠栦滑璁″垝鏄庡勾寤洪犱竴搴х數褰遍櫌銆
銆銆They plan to fabricate a cinema next year.
銆銆鐢靛獎闄㈡槸涓濞變箰鍦烘墍銆
銆銆A cinema is a place of entertainment.
銆銆灝界″悇鍦板叴寤轟簡瓚婃潵瓚婂氱殑鐢靛獎闄錛屼絾鏄鍙渚涙紨鍛樺拰瀵兼紨榪涜屽︿範鐨勯櫌鏍″嵈灝戝緱鍙鎬溿
銆銆And even though more theaters are being built, there are few institutes where actors and directors can study.
銆銆鎴戜滑鐜板湪姝ｅ勫湪瀹跺涵褰曞儚澶ц屽叾閬撶殑鏃朵唬錛岃繖瀵瑰浗鍐呯殑鐢靛獎闄㈡潵璇翠技涔庢槸涓鍏充箮鐢熸誨瓨浜＄殑鍏抽敭鏃跺埢銆
銆銆It looks like high noon for the nation's movie theaters, now we are in the age of the home video.
銆銆淇濈惓鍦ㄧ數褰遍櫌鍛嗕簡涓変釜灝忔椂錛屽ス涓嶆効鎰忓洖瀹跺啀闈㈠瑰ス鐨勪笀澶銆
銆銆Pauline spent three wretched hours at the cinema dreading the moment when she must go home and face her husband again.
銆銆鍏充簬鐢靛獎闄㈢殑鑻辨枃闃呰伙細鐢靛獎闄㈤噷鐨勯獥灞銆銆in 2013, china achieved a record-breaking high for its film instry's box-office revenues, which officially register at 21.769 billion yuan ($3.59 billion). but according to wang changtian, ceo of enlight, that was at least 5 billion yuan short of the real number. other experts put the gap at 2.4 billion, explaining the reported box-office figure at 10 percent less than the real one. that gap is someone's windfall, illegally pocketed by cinema owners and operators, professionally known as film exhibitors. and the regulating agency is getting tough on this kind of theft.
銆銆wang changtian has reasons to be angry. over the lunar new year season that has recently wound down, he received on his microblog numerous audience reports, complete with photos, of tickets to dad, where are we going?, a runaway hit his company distributes. the tickets had no movie title printed on them or the prices printed were lower than what was actually paid by the moviegoers - all signs that the movie's revenues were not correctly registered.
銆銆the earliest manifestation of the shady practice of "box-office stealing" loomed a few years ago when indivial moviegoers posted suspicious tickets online. tickets of this type usually had movie title "a" computer-printed on it, but the printed title was scratched out by hand and title "b" written in. fingers were pointed at the procer or distributor of title a, but more likely it was the movie theater that was behind it. the reason could be simple: film a gives the exhibitor a larger share of the revenue than film b.
銆銆however, this is just the tip of the iceberg. instry insiders reveal it was much worse before computer systems were installed in the nation's cinemas, and of course, before social media websites turned everyone into a potential reporter of such business deceit. as a matter of fact, some cinema investors were not even aware that they had to split their revenue with other parties. "this phenomenon started from the age of planned economy," says mao yu, deputy director of the film bureau, a branch of the regulating agency.
銆銆but it may have turned from guerrilla tactics to larger-scale con games. for group purchases, violators would not even issue tickets, essentially not reporting a single cent of revenue from a whole screening. since a representative of the group usually deals with the cinema, unless he or she specifically demands a printed ticket for each member of the group, all of them would be in the dark about income reporting from the cinema to the distributor.
銆銆another trick lies in membership es, which are often collected up front. when a paid member reimburses for a ticket, it may have only the screening room on it, and the exhibitors can choose to credit it to any movie they like, or not to any movie, in which case they pocket 100 percent of the revenue.
銆銆some cinemas would go as far as investing in a separate point-of-sale computer system so that each ticket buyer gets the right ticket, but none of the data shows up on the centralized system. instead, another set of credible purchase data would be put in the correct system, but with lower attendance.
銆銆both distributors and exhibitors that i spoke to agree that cheating is much less rampant than before, say a dozen years ago, and now is mostly limited to third and fourth-tier cities. china film group, the nation's largest film proction and distribution company, heads a consortium with several major private companies that hires 1,000 people to monitor cinemas nationwide, and huaxia, another state-owned company, has a smaller army of 800.
銆銆however, there are situations even these sharp-eyed monitors can do little about. for example, if a cinema sells a ticket for 80 yuan, which is normal for primetime, but gives away a free popcorn, it may attribute as much as 60 yuan of the ticket price to the popcorn, leaving only 20 as the ticket price. but it can argue that 20 yuan is the minimum price for this particular film agreed upon by both sides and therefore it does not violate any rule.
銆銆a similar scheme was employed when transformers 3 was bundled with yang shanzhou, a very small film with little box-office potential, making the latter into a strange film with eye-popping revenue (79 million yuan) but disproportionately fewer people who actually bothered to see it. there were sporadic online complaints about the practice even though consumers did not pay more for the package deal.
銆銆the state administration of press, publication, radio, film and television, the regulating agency, announced measures in late january to curb under-reporting and cheating on box-office revenues. a special fund is set up to subsidize the upgrading of computer software at point of sale. the current system was installed in 2005 and "cannot keep up with the new situation", in the words of jiang tao, director of the fund. "the new system will fix loopholes and shorten the reporting window to only 10 minutes after a sale is made instead of waiting till next noon, which is the current reporting lapse in time, which leaves room for manipulation. the national platform will be ready by may and the cinema side will complete their upgrading by october."
銆銆apart from putting a stamp of authorization on all sales systems, sapprft insists that all film tickets carry correct prices and movie admission. but conspicuously absent are concrete penalties for violations. the software upgrade will certainly be a great help, admit distributors and exhibitors, but it may not be enough.
銆銆"the cost of violation is still too low. if you're caught under-reporting 10 tickets, all you need to do is make up for the shortfall," says huang ziyan, vice-president of le vision pictures in charge of sales.
銆銆cao yong, a manager with the huaxing ume cinema chain, suggests that violators should have their business license revoked. "cinemas invest tens of millions of yuan and, with punishment of this severity, it would not make sense for them to steal 80,000 or 100,000 yuan from the box office."
銆銆other ideas have been floated such as the use of an infra-red camera that automatically scans a movie theater for attendance. the technology has been available for eight or nine years and it claims to have 95 percent accuracy. but it has never been put into use.
銆銆filmmakers are reluctant to stand firm when they become victims because they do not want to offend the exhibition branch of the business chain - the branch that deals directly with end users. some say they are no longer sad at the irregularity, but have come to the stage of despair.
銆銆this time it's for real, and "we'll cleanse the instry of this illegal and irregular behavior", says zhang hongsen, director of sapprft's film bureau.
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銆銆浣滀負鐩戠℃満鏋勶紝鍥藉舵柊闂誨嚭鐗堝箍鐢墊誨矓涓鏈堝簳鍏甯冧簡娌葷悊鉶氭姤銆佽皫鎶ョエ鎴挎敹鍏ョ殑鍔炴硶銆傛垚絝嬩笓闂ㄥ熀閲戱紝琛ヨ創閿鍞鐐圭數鑴戣蔣浠剁殑鍗囩駭銆傚浗瀹剁數褰變笓璧勫姙涓諱換濮滄稕琛ㄧず錛屽畨瑁呬簬2005騫寸殑鐜拌岀郴緇“璺熶笉涓婃柊鎯呭喌”銆
銆銆“鏂扮郴緇熶細淇琛ユ紡媧烇紝閿鍞緇撴潫鍗佸垎閽熶互鍚庡嵆緇撴潫涓婃姤紿楀彛錛岃屼笉鍐嶇瓑鍒扮浜屽ぉ涓鍗”錛屽歡緙撲笂鎶ユ椂闂達紝浼氫負寮勮櫄浣滃亣鐣欎笅絀洪棿銆備簲鏈堝嵆灝嗗緩鎴愬浗瀹剁駭騫沖彴錛屽獎闄㈡柟闈㈠皢浜庡嶮鏈堝畬鎴愬崌綰с
銆銆闄や簡瀵規墍鏈夐攢鍞緋葷粺榪涜岀＄悊錛屽浗瀹舵柊闂誨嚭鐗堝箍鐢墊誨矓鍧氭寔瑕佹眰鎵鏈夌數褰辯エ鏄劇ず姝ｇ『鐨勪環鏍煎拰鍏ュ満璐廣備絾娌℃湁瀵硅繚鍙嶈勫畾鐨勫叿浣撳勭綒 鎺鏂 銆傚彂琛屾柟鍜屾斁鏄犳柟鎵胯わ紝杞浠舵洿鏂頒竴瀹氫細鎻愪緵寰堝ぇ甯鍔╋紝浣嗗府鍔╁彲鑳戒笉澶熴
銆銆“榪濆弽瑙勫畾鐨勪唬浠瘋繕鏄澶浣庝簡銆傚傛灉琚鍙戠幇鉶氭姤浜10嬈＄エ浠鳳紝鍙闇瑕佽ˉ涓婄己鍙ｅ嵆鍙錛”涔愯嗗獎涓氬競鍦哄壇鎬昏侀粍緔鐕曡淬
銆銆鍗庢槦ume褰卞煄鐨勭粡鐞嗘浌鍕囧緩璁鍚婇攢榪濆弽瑙勫畾鐨勫崟浣嶇殑钀ヤ笟鎵х収銆“鐢靛獎闄㈢殑鎶曡祫涓婂崈涓囷紝榪欐牱涓ュ帀鐨勬儵緗氾紝浼氳╀粬浠瑙夊緱涓轟簡8涓囥10涓囩殑紲ㄦ埧鍙楄繖鏍風殑鎯╃綒鍒掍笉鏉ャ”
銆銆榪樻湁浜烘兂鍒板叾浠栧姙娉曪紝濡傝繍鐢ㄥ彲浠ヨ嚜鍔ㄦ壂鎻忓獎闄㈡斁鏄犲巺涓婂駭鐜囩殑綰㈠栨憚鍍忔満銆傛湭鏉8鍒9騫達紝灝嗗彲浠ュ埄鐢ㄨ繖欏規妧鏈錛屾嵁縐拌繖欏規妧鏈鐨勫噯紜鐜囦負95%銆備絾鐜板湪榪欓」鎶鏈灝氭湭寰楀埌浣跨敤銆
銆銆鐢靛獎鍒朵綔鏂瑰湪鍙楀埌鎹熷け鏃訛紝涓嶆効鎰忓お榪囦弗鍘夛紝鍥犱負浠栦滑涓嶆兂寰楃姜鏀炬槧鏂癸紝鍘熷洜鍦ㄤ簬鍦ㄥ晢涓氶摼涓婃斁鏄犳柟鎵澶勭殑鐜鑺傜洿鎺ユ帴瑙︾粓絝鐢ㄦ埛銆備竴浜涗漢璇翠笉鍐嶄負榪欐牱鐨勪笉瑙勭煩琛屼負鎰熷埌闅捐繃錛岃屾槸寮濮嬪け鏈涖
銆銆榪欎竴嬈＄湡鐨勮侀噰鍙栬屽姩錛“鎴戜滑瑕佽們娓呰屼笟涓鐨勮繖綾婚潪娉曪紝榪濊勮屼負”錛屽浗瀹舵柊闂誨嚭鐗堝箍鐢墊誨矓鐢靛獎灞灞闀垮紶瀹忔．璇淬
鐚滀綘鍠滄錛
1. 鎷涘晢鐢ㄨ嫳璇鎬庝箞璇
2. 鐢靛獎闄㈠箍鍛婅瘝
3. 鍏充簬鐢靛獎闄㈢殑鑻辮瀵硅瘽
4. 鐢靛獎闄㈢殑鑻辨枃鍗曡瘝
5. 涔扮數褰辯エ鑻辮瀵硅瘽闃呰
6. 浼氬憳鐢ㄨ嫳璇鎬庝箞璇
2. 鐢靛獎闄㈢敤鑻辮鎬庝箞璇達紵
KINO鐨勬剰鎬濇槸"鐢靛獎闄"銆
鈶 緲昏瘧&鍚涔夎В閲婏細KINO鏄寰瘋涓鐨勪竴涓鍚嶈瘝錛岀炕璇戜負鑻辮鏄"cinema"鎴"movie theater"錛屾寚鐨勬槸涓涓璁炬湁澶у睆騫曞拰搴ф呬互渚涜傜湅鐢靛獎鐨勫満鎵銆傚畠鏄濞變箰涓庢枃鍖栫殑涓涓閲嶈佺粍鎴愰儴鍒嗭紝浜轟滑鍙浠ュ湪鐢靛獎闄涓瑙傝祻鍚勭嶇被鍨嬬殑鐢靛獎浣滃搧銆
鈶 璇娉曡﹁В錛欿INO鏄涓涓鍚嶈瘝錛屼綔涓轟富璇銆佸捐鎴栦綅浜庝粙璇嶇煭璇涓銆
鈶 鑻辨枃鐨勫叿浣撶敤娉曚婦渚嬶細
- We are going to the cinema tonight to watch the new action movie.錛堟垜浠浠婃櫄瑕佸幓鐢靛獎闄㈢湅鏂頒笂鏄犵殑鍔ㄤ綔鐗囥傦級
- The cinema was packed with people eager to see the latest blockbuster.錛堢數褰遍櫌閲屾尋婊′簡娓存湜瑙傜湅鏈鏂板ぇ鐗囩殑浜恆傦級
- They usually go to the movie theater on weekends to relax.錛堜粬浠閫氬父鍦ㄥ懆鏈鍘葷數褰遍櫌鏀炬澗銆傦級