1. 鐢靛奖闄㈢敤鑻辫鎬庝箞璇
銆銆鐢靛奖闄㈡槸涓鸿備紬鏀炬槧鐢靛奖鐨勫満鎵锛岀數褰卞湪浜х敓鍒濇湡锛屾槸鍦ㄥ挅鍟″巺銆佽尪棣嗙瓑鍦烘墍鏀炬槧鐨勩傞偅涔堜綘鐭ラ亾鐢靛奖闄㈢敤鑻辫鎬庝箞璇村悧?涓嬮潰璺熸垜涓璧峰︿範鍏充簬鐢靛奖闄㈢殑鑻辫鐭ヨ瘑鍚с
銆 銆鐢靛奖闄㈣嫳璇璇存硶
銆銆cinema
銆銆movie theater
銆 銆鐢靛奖闄㈢殑鑻辫渚嬪彞銆銆鐖哥埜鍒氬嚭闂锛岄偅鐢峰╁氨璺戝悜鐢靛奖闄銆
銆銆As soon as his father went out, the boy ran to the cinema.
銆銆浠栧伔鍋锋簻杩涗簡鐢靛奖闄㈣屾病鏈夎浜洪鐫銆
銆銆He stole into the cinema without being caught.
銆銆鐢靛奖闄涓嶈繙锛屼綘鍙浠ヨ蛋鍒伴偅鍘汇
銆銆The cinema is not far, you can get there on foot.
銆銆鎴戝拰濂冲弸鏄鐢靛奖闄㈢殑甯稿銆
銆銆My girlfriend and I are habitual cinema-goers.
銆銆鐢靛奖缁撴潫鍚庯紝浜轰滑浠庣數褰遍櫌铚傛嫢鑰屽嚭銆
銆銆The crowd swarmed out of the cinema after the film ended.
銆銆鐢靛奖闄㈤檮杩戞湁涓涓鐢佃瘽浜銆
銆銆There is a telephone booth near the cinema.
銆銆褰撴垜浠璧拌繘鐢靛奖闄㈡椂锛岀伅鐔勭伃浜嗐
銆銆The light went out just as we entered the cinema.
銆銆鐢靛奖闄㈢殑澶у巺閲屾湁涓灏忓崠閮ㄣ
銆銆There is a snack bar in the lobby of the movie theatre.
銆銆鎴戜滑鍙婃椂杩涗簡鐢靛奖闄锛岃刀涓婄數褰辩殑寮鍦恒
銆銆We entered the theater just in time to see the beginning of the movie.
銆銆褰辫糠浠鍧愬湪榛戞紗婕嗙殑鐢靛奖闄㈤噷鐪嬪緱濡傜棿濡傞唹銆
銆銆The fans sat enthralled in the darkened cinema.
銆銆浣犺佽窡璋佷竴璧峰幓鐢靛奖闄?
銆銆Who're you going to the pictures with?
銆銆杩欏骇鐢靛奖闄浜忕┖50涓囪嫳闀戙
銆銆The theatre is £ 500,000 in the red.
銆銆鐩稿规潵璁诧紝杩欎釜鍥藉跺嚑涔庢病鏈夊嚑瀹剁數褰遍櫌銆
銆銆The country has relatively few cinemas.
銆銆鍦ㄧ數褰遍櫌闂ㄥ彛鍞绁ㄣ
銆銆Tickets are sold at the entrance to the cinema.
銆銆浠栦滑璁″垝鏄庡勾寤洪犱竴搴х數褰遍櫌銆
銆銆They plan to fabricate a cinema next year.
銆銆鐢靛奖闄㈡槸涓濞变箰鍦烘墍銆
銆銆A cinema is a place of entertainment.
銆銆灏界″悇鍦板叴寤轰簡瓒婃潵瓒婂氱殑鐢靛奖闄锛屼絾鏄鍙渚涙紨鍛樺拰瀵兼紨杩涜屽︿範鐨勯櫌鏍″嵈灏戝緱鍙鎬溿
銆銆And even though more theaters are being built, there are few institutes where actors and directors can study.
銆銆鎴戜滑鐜板湪姝ｅ勫湪瀹跺涵褰曞儚澶ц屽叾閬撶殑鏃朵唬锛岃繖瀵瑰浗鍐呯殑鐢靛奖闄㈡潵璇翠技涔庢槸涓鍏充箮鐢熸诲瓨浜＄殑鍏抽敭鏃跺埢銆
銆銆It looks like high noon for the nation's movie theaters, now we are in the age of the home video.
銆銆淇濈惓鍦ㄧ數褰遍櫌鍛嗕簡涓変釜灏忔椂锛屽ス涓嶆効鎰忓洖瀹跺啀闈㈠瑰ス鐨勪笀澶銆
銆銆Pauline spent three wretched hours at the cinema dreading the moment when she must go home and face her husband again.
銆銆鍏充簬鐢靛奖闄㈢殑鑻辨枃闃呰伙細鐢靛奖闄㈤噷鐨勯獥灞銆銆in 2013, china achieved a record-breaking high for its film instry's box-office revenues, which officially register at 21.769 billion yuan ($3.59 billion). but according to wang changtian, ceo of enlight, that was at least 5 billion yuan short of the real number. other experts put the gap at 2.4 billion, explaining the reported box-office figure at 10 percent less than the real one. that gap is someone's windfall, illegally pocketed by cinema owners and operators, professionally known as film exhibitors. and the regulating agency is getting tough on this kind of theft.
銆銆wang changtian has reasons to be angry. over the lunar new year season that has recently wound down, he received on his microblog numerous audience reports, complete with photos, of tickets to dad, where are we going?, a runaway hit his company distributes. the tickets had no movie title printed on them or the prices printed were lower than what was actually paid by the moviegoers - all signs that the movie's revenues were not correctly registered.
銆銆the earliest manifestation of the shady practice of "box-office stealing" loomed a few years ago when indivial moviegoers posted suspicious tickets online. tickets of this type usually had movie title "a" computer-printed on it, but the printed title was scratched out by hand and title "b" written in. fingers were pointed at the procer or distributor of title a, but more likely it was the movie theater that was behind it. the reason could be simple: film a gives the exhibitor a larger share of the revenue than film b.
銆銆however, this is just the tip of the iceberg. instry insiders reveal it was much worse before computer systems were installed in the nation's cinemas, and of course, before social media websites turned everyone into a potential reporter of such business deceit. as a matter of fact, some cinema investors were not even aware that they had to split their revenue with other parties. "this phenomenon started from the age of planned economy," says mao yu, deputy director of the film bureau, a branch of the regulating agency.
銆銆but it may have turned from guerrilla tactics to larger-scale con games. for group purchases, violators would not even issue tickets, essentially not reporting a single cent of revenue from a whole screening. since a representative of the group usually deals with the cinema, unless he or she specifically demands a printed ticket for each member of the group, all of them would be in the dark about income reporting from the cinema to the distributor.
銆銆another trick lies in membership es, which are often collected up front. when a paid member reimburses for a ticket, it may have only the screening room on it, and the exhibitors can choose to credit it to any movie they like, or not to any movie, in which case they pocket 100 percent of the revenue.
銆銆some cinemas would go as far as investing in a separate point-of-sale computer system so that each ticket buyer gets the right ticket, but none of the data shows up on the centralized system. instead, another set of credible purchase data would be put in the correct system, but with lower attendance.
銆銆both distributors and exhibitors that i spoke to agree that cheating is much less rampant than before, say a dozen years ago, and now is mostly limited to third and fourth-tier cities. china film group, the nation's largest film proction and distribution company, heads a consortium with several major private companies that hires 1,000 people to monitor cinemas nationwide, and huaxia, another state-owned company, has a smaller army of 800.
銆銆however, there are situations even these sharp-eyed monitors can do little about. for example, if a cinema sells a ticket for 80 yuan, which is normal for primetime, but gives away a free popcorn, it may attribute as much as 60 yuan of the ticket price to the popcorn, leaving only 20 as the ticket price. but it can argue that 20 yuan is the minimum price for this particular film agreed upon by both sides and therefore it does not violate any rule.
銆銆a similar scheme was employed when transformers 3 was bundled with yang shanzhou, a very small film with little box-office potential, making the latter into a strange film with eye-popping revenue (79 million yuan) but disproportionately fewer people who actually bothered to see it. there were sporadic online complaints about the practice even though consumers did not pay more for the package deal.
銆銆the state administration of press, publication, radio, film and television, the regulating agency, announced measures in late january to curb under-reporting and cheating on box-office revenues. a special fund is set up to subsidize the upgrading of computer software at point of sale. the current system was installed in 2005 and "cannot keep up with the new situation", in the words of jiang tao, director of the fund. "the new system will fix loopholes and shorten the reporting window to only 10 minutes after a sale is made instead of waiting till next noon, which is the current reporting lapse in time, which leaves room for manipulation. the national platform will be ready by may and the cinema side will complete their upgrading by october."
銆銆apart from putting a stamp of authorization on all sales systems, sapprft insists that all film tickets carry correct prices and movie admission. but conspicuously absent are concrete penalties for violations. the software upgrade will certainly be a great help, admit distributors and exhibitors, but it may not be enough.
銆銆"the cost of violation is still too low. if you're caught under-reporting 10 tickets, all you need to do is make up for the shortfall," says huang ziyan, vice-president of le vision pictures in charge of sales.
銆銆cao yong, a manager with the huaxing ume cinema chain, suggests that violators should have their business license revoked. "cinemas invest tens of millions of yuan and, with punishment of this severity, it would not make sense for them to steal 80,000 or 100,000 yuan from the box office."
銆銆other ideas have been floated such as the use of an infra-red camera that automatically scans a movie theater for attendance. the technology has been available for eight or nine years and it claims to have 95 percent accuracy. but it has never been put into use.
銆銆filmmakers are reluctant to stand firm when they become victims because they do not want to offend the exhibition branch of the business chain - the branch that deals directly with end users. some say they are no longer sad at the irregularity, but have come to the stage of despair.
銆銆this time it's for real, and "we'll cleanse the instry of this illegal and irregular behavior", says zhang hongsen, director of sapprft's film bureau.
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銆銆“鏂扮郴缁熶細淇琛ユ紡娲烇紝閿鍞缁撴潫鍗佸垎閽熶互鍚庡嵆缁撴潫涓婃姤绐楀彛锛岃屼笉鍐嶇瓑鍒扮浜屽ぉ涓鍗”锛屽欢缂撲笂鎶ユ椂闂达紝浼氫负寮勮櫄浣滃亣鐣欎笅绌洪棿銆備簲鏈堝嵆灏嗗缓鎴愬浗瀹剁骇骞冲彴锛屽奖闄㈡柟闈㈠皢浜庡崄鏈堝畬鎴愬崌绾с
銆銆闄や簡瀵规墍鏈夐攢鍞绯荤粺杩涜岀＄悊锛屽浗瀹舵柊闂诲嚭鐗堝箍鐢垫诲眬鍧氭寔瑕佹眰鎵鏈夌數褰辩エ鏄剧ず姝ｇ‘鐨勪环鏍煎拰鍏ュ満璐广備絾娌℃湁瀵硅繚鍙嶈勫畾鐨勫叿浣撳勭綒 鎺鏂 銆傚彂琛屾柟鍜屾斁鏄犳柟鎵胯わ紝杞浠舵洿鏂颁竴瀹氫細鎻愪緵寰堝ぇ甯鍔╋紝浣嗗府鍔╁彲鑳戒笉澶熴
銆銆“杩濆弽瑙勫畾鐨勪唬浠疯繕鏄澶浣庝簡銆傚傛灉琚鍙戠幇铏氭姤浜10娆＄エ浠凤紝鍙闇瑕佽ˉ涓婄己鍙ｅ嵆鍙锛”涔愯嗗奖涓氬競鍦哄壇鎬昏侀粍绱鐕曡淬
銆銆鍗庢槦ume褰卞煄鐨勭粡鐞嗘浌鍕囧缓璁鍚婇攢杩濆弽瑙勫畾鐨勫崟浣嶇殑钀ヤ笟鎵х収銆“鐢靛奖闄㈢殑鎶曡祫涓婂崈涓囷紝杩欐牱涓ュ帀鐨勬儵缃氾紝浼氳╀粬浠瑙夊緱涓轰簡8涓囥10涓囩殑绁ㄦ埧鍙楄繖鏍风殑鎯╃綒鍒掍笉鏉ャ”
銆銆杩樻湁浜烘兂鍒板叾浠栧姙娉曪紝濡傝繍鐢ㄥ彲浠ヨ嚜鍔ㄦ壂鎻忓奖闄㈡斁鏄犲巺涓婂骇鐜囩殑绾㈠栨憚鍍忔満銆傛湭鏉8鍒9骞达紝灏嗗彲浠ュ埄鐢ㄨ繖椤规妧鏈锛屾嵁绉拌繖椤规妧鏈鐨勫噯纭鐜囦负95%銆備絾鐜板湪杩欓」鎶鏈灏氭湭寰楀埌浣跨敤銆
銆銆鐢靛奖鍒朵綔鏂瑰湪鍙楀埌鎹熷け鏃讹紝涓嶆効鎰忓お杩囦弗鍘夛紝鍥犱负浠栦滑涓嶆兂寰楃姜鏀炬槧鏂癸紝鍘熷洜鍦ㄤ簬鍦ㄥ晢涓氶摼涓婃斁鏄犳柟鎵澶勭殑鐜鑺傜洿鎺ユ帴瑙︾粓绔鐢ㄦ埛銆備竴浜涗汉璇翠笉鍐嶄负杩欐牱鐨勪笉瑙勭煩琛屼负鎰熷埌闅捐繃锛岃屾槸寮濮嬪け鏈涖
銆銆杩欎竴娆＄湡鐨勮侀噰鍙栬屽姩锛“鎴戜滑瑕佽們娓呰屼笟涓鐨勮繖绫婚潪娉曪紝杩濊勮屼负”锛屽浗瀹舵柊闂诲嚭鐗堝箍鐢垫诲眬鐢靛奖灞灞闀垮紶瀹忔．璇淬
鐚滀綘鍠滄锛
1. 鎷涘晢鐢ㄨ嫳璇鎬庝箞璇
2. 鐢靛奖闄㈠箍鍛婅瘝
3. 鍏充簬鐢靛奖闄㈢殑鑻辫瀵硅瘽
4. 鐢靛奖闄㈢殑鑻辨枃鍗曡瘝
5. 涔扮數褰辩エ鑻辫瀵硅瘽闃呰
6. 浼氬憳鐢ㄨ嫳璇鎬庝箞璇
2. 鐢靛奖闄㈢敤鑻辫鎬庝箞璇达紵
KINO鐨勬剰鎬濇槸"鐢靛奖闄"銆
鈶 缈昏瘧&鍚涔夎В閲婏細KINO鏄寰疯涓鐨勪竴涓鍚嶈瘝锛岀炕璇戜负鑻辫鏄"cinema"鎴"movie theater"锛屾寚鐨勬槸涓涓璁炬湁澶у睆骞曞拰搴ф呬互渚涜傜湅鐢靛奖鐨勫満鎵銆傚畠鏄濞变箰涓庢枃鍖栫殑涓涓閲嶈佺粍鎴愰儴鍒嗭紝浜轰滑鍙浠ュ湪鐢靛奖闄涓瑙傝祻鍚勭嶇被鍨嬬殑鐢靛奖浣滃搧銆
鈶 璇娉曡﹁В锛欿INO鏄涓涓鍚嶈瘝锛屼綔涓轰富璇銆佸捐鎴栦綅浜庝粙璇嶇煭璇涓銆
鈶 鑻辨枃鐨勫叿浣撶敤娉曚妇渚嬶細
- We are going to the cinema tonight to watch the new action movie.锛堟垜浠浠婃櫄瑕佸幓鐢靛奖闄㈢湅鏂颁笂鏄犵殑鍔ㄤ綔鐗囥傦級
- The cinema was packed with people eager to see the latest blockbuster.锛堢數褰遍櫌閲屾尋婊′簡娓存湜瑙傜湅鏈鏂板ぇ鐗囩殑浜恒傦級
- They usually go to the movie theater on weekends to relax.锛堜粬浠閫氬父鍦ㄥ懆鏈鍘荤數褰遍櫌鏀炬澗銆傦級